Review: Noodler's Nikita Ink

First off, let me just say that I have this "thing" about red ink.  I am a professor, so red ink is my lifeblood (no pun intended).  I know that some people advocate grading in green ink these days, to preserve students' fragile psyches, and I use it too.  (And not surprisingly, I have the same kind of "thing" for green ink, although according to this link at Tiger Pens Blog, green ink is not a very respectable thing to have a "thing" for.)

However, back to the red, and it's a fact that not just any old red will do.  I have discovered that there are as many different shades of red as -- well, just about any other color.  (Surprise!)  In other words, a lot more than one might think at first.  And I have also discovered that I am pretty picky about the shade of red I use, especially when I am grading.  (Another surprise!)  It needs to be (what I consider) a TRUE red, with no other color mixed in with it -- not tending towards reddish-brown, or reddish-orange, or reddish-anything -- not too dark or too light, and -- since I am grading with it -- not resembling actual blood too much.  (I am already accused of "bleeding" all over students' papers and tests, so there's absolutely no need to drive that particular metaphor home.)  I want a RED RED.

So that's why I love Noodler's Nikita. As you can see, it's exactly the shade of red I am describing.  It's not a fancy ink, and it doesn't have a huge amount of subtlety in it, as far as I can tell.  No excessive shading, but that's not something I want when I am grading anyway.  In my hands, it's always been a very well-behaved ink, with no bothersome feathering or bleedthrough on even regular copy paper or worse.  It's got a good flow but dries quickly enough (even on Rhodia paper) that I don't have to take any special precautions with a page after I finish it (another important consideration when grading tests and other papers).  It's just a great all-around red ink.

It's also a HUGE bottle of ink for the price, and it comes with a free Noodler's eyedropper pen.  I had read some reviews of the pen that suggested you get what you pay for with this pen, but I disagree.  Yes, it's not fancy and does not have a beautiful gold nib and all that, but I prefer pens that are not going to make me sob uncontrollably if something goes wrong with them (or I do something stupid to them and break them).  Yes, like many inexpensive pens, it needs a little pampering and tweaking to get it going, but that's not unexpected, and I am gradually becoming more comfortable with that whole process.  It writes a little more finely than I prefer, but it works really well with this ink, and Noodler's knew what they were doing when they included this pen as a freebie.

So there you have it.  A true red ink that makes me smile at the same time that it makes my students weep.  You can't really put a price tag on that kind of thing, now can you?

Review: Canson 180 Sketchbook

Today I want to review an item that I have been using happily for some time now: the Canson 180 sketchbook.  Like all of Canson's products, it is filled with really great paper, and the book is sturdy as well as beautiful to look at.  But what really makes this sketchbook stand out (and what gives it the "180" designation) is the Coptic binding.  I don't know much about bookbinding, so I had some help from Wikipedia on this one -- suffice it to say that Coptic binding is one of the oldest bookbinding techniques.  It dates back to the second century AD, being first developed by the early Christians in Egypt (the "Coptic Christians," you know).  What makes a Coptic binding unique is that it makes a book automatically lie flat when it's opened, especially if the spine covering is left off, as in this photo from Wikipedia:

As my (less than ideal) pictures show, I have been using this sketchbook to practice my calligraphy and otherwise just play around on paper.  I have other sketchbooks that I also use for this purpose, but the Canson 180 is the one I keep coming back to.

The front of the sketchbook, with a little free advertising for the InkDrop from GouletPens.com!

Beautifully flat -- with some rough-looking Gothic hand practice.

Playing around with lettering for a project intended for a friend of mine, using a quote her children are very fond of.  This was done with a pointed pen (Zebra Comic G nib) and Sumi Moon Palace ink -- and the substantial paper in this sketchbook can take all that ink with absolutely no feathering or bleedthrough whatsoever!

Some more practice, done with a Pilot Parallel Pen (2.4mm nib) and Pilot ink.  The tooth of the paper is a little much sometimes for a broad nib like this, and you get ragged edges on the lines, but a little pressure usually solves that.

The sketchbook has a magnetic closure that does a pretty good job of keeping the book closed.  It's a great size for calligraphy because it has a lot of space for words of all sizes on the page.  (However, I do have the largest version of this sketchbook, which also comes in two smaller sizes, according to the listing on Canson's website.)  Because of the way the binding lies flat, it would be a wonderful sketchbook if you have an urge to do double-page spreads.

The exposed binding doesn't leap out and scream at you with the whiteness of the book's paper because Canson has tastefully covered it up with a black gum coating (similar to the glue-top binding you might find on a notepad).  It's a really nice touch that finishes off this excellent sketchbook.

 The exposed spine -- classy and functional at the same time!

I got mine at Michael's (purchased it with my own money, I did!) but I expect you could find it at most art supply stores, both brick-and-mortar as well as Internet versions.  If you are in the market for a top-notch sketchbook, this is the one I would recommend!

Some Pen and Paper Links for a New Year's Day

This blog arose partly out of my fascination with (and admiration of) the many great pen and paper blogs out there.  I reasoned, if they can do it, I can do it too!  While that is NOT necessarily true (and I am still learning a LOT about this whole thing), these are some of my favorite recent posts from some great blogs that I follow.  Hope you enjoy them as much as I do!

• FPGeeks' Inkcyclopedia entry for Montblanc Toffee Brown -- I was excited to see this because I recently received some cartridges of this ink over Christmas.  Can't wait to try it, because I am a sucker for pretty much any kind of brown ink.
• The Process Video at edjelley.com -- he does an amazing job and this video is simply proof of that!
• A review of Diamine's Ancient Copper ink by Independence --  another winner in the "brownish" ink category.
• Noodler's Konrad Flex Pen at Inknouveau.com -- my hands say "yes, yes" to these beautiful pens, but my checkbook says "no, no" (at least for right now)!
• "Should I Eat or... Naaa, I'll Buy This Instead" from Derrick at I Still Write -- Funny post about the Faber-Castell Perfect Pencil, which he DIDN'T buy.
• Crane's has announced their new stationery lineups for 2013, with awesome lookbooks for both their personalized stationery line and their wedding line.  I freaking love this stuff.  (By the way, if you love Crane's as well, they have some pretty wonderful stationery items of all sorts on clearance right now.)

Comments welcome!

Happy New Year!

Recycled Currency Stationery by Crane's

Several days ago I was rummaging around in a desk drawer where I keep miscellaneous stationery -- notepads, legal pads, notebooks, and things like that.  And I ran across an item I had forgotten about: a pad of paper that was made from recycled U.S. currency.  Even if it were not for the legend stamped at the bottom of every page (see photo), this paper would nevertheless betray its origins by its overall green shade and green fibrous flecks woven into the paper.  In spite of being recycled, it's quite a heavyweight paper, and takes fountain pen ink really well.

This got me to thinking about where this paper originally came from.  According to the Internet, the paper for U.S. currency is made by Crane's, with a content of 75% cotton and 25% linen.  This mix makes it way more durable than ordinary paper made from wood pulp.  But when you recycle any kind of paper, it weakens the fibers and the recycled paper is never as strong as the original.  But in the case of this paper, it can still be pretty darn good.

So in the 1990's, Crane's experimented with making this recycled currency paper, and marketed it under the brand name "Old Money."  (I am pretty sure this is when I bought this paper, so it's about 20 years old at this point.)  It's great paper, but then as now, there was little to no consumer demand for it, so production was dropped.

BUT: thinking about the lineage of this paper, it suddenly occurred to me that this qualifies as genuine Crane's stationery.  Cheaper, and greener (in more ways than one), but still definitely Crane's!

I really like this paper, and I would like to track down some more of it, if any exists.  If anyone has any leads to a source for this paper, please let me know in the comments!

Merry Christmas!

I was fooling around with a pointed pen last night, and generated this.  It turned out pretty well, so I am sharing it with you, and wishing you the same.  Merry Christmas!

Pilot Cavalier Marbled Fountain Pen For Trade

OK, this is really kind of a heartbreaking post for me to write.  I bought this Pilot Cavalier marbled fountain pen a while back on eBay.  It wasn't the cheapest pen I ever bought, but it was a good price for what I got.  I bought it for two reasons: 1) It's a Pilot, and I love pretty much any Pilot I have ever owned; and 2) the brown marbled design on the pen is absolutely stunning.  (My crappy pictures don't do it justice, but trust me, it is a beautiful pen.)

 

There's one fly in the ointment, however, and for me it's a pretty big fly.  Have you guessed what it might be yet, from the pictures?

 

Think, think think!

It's the nib.

Lord knows, I am no fountain pen expert (although I do have a blog and I have stayed at a Holiday Inn Express at least once in my life), but everyone knows that the cardinal rule of fountain pens from Japan is: THE NIBS RUN SMALL.  So if you want a fine, you should order a medium.  What happens, do you think, when you get a fine?

You get a pen that lays down a line no thicker than a mosquito's eyelash.  And that's pretty darn thin.

Don't get me wrong, I love absolutely everything else about this pen.  And I love the appearance of the nib itself -- look at how streamlined and sleek it is.  It fits the overall style of the pen perfectly.

But it's SOOOOOOOOOOOOOO FINE -- and I don't mean fine in a good way.

Therefore, I am going to try something here.  I know I have about 3 readers (who knows, I may be flattering myself with even THAT number).  But I really want this pen to go to a good home, and I wouldn't mind getting another pen that would be more suitable for me and my writing style.

So how about a trade?  I would love to trade this pen (in perfect condition, inked only once, and it will be clean as a whistle when I send it out -- I think I still have the box as well) with someone who wants to get rid of a low-end Pilot that is comparable.  As long as I am throwing this out there to the Universe, might as well go for broke -- I would ABSOLUTELY love to trade it for one that is exactly the same, except with a medium nib.  But I am not that persnickety.

Respond in the comments please, and let's see what happens!

UPDATE: This pen has now been traded.